the 1983s certify album re-issued as heavyweight 180 gram vinyl in its original cover, remastered and with linernotes! re-launch of the classic uk reggae label burning sounds.

upcoming various artist series with tracks from e-dward! (it), sebastian habben (ger), 6470 (it) and michael mclardy (uk).

as summer slowly fades, michael clifford recalls those calming, intense moments, that merge the good feeling of inner warmth with deep sound. today, deep often gets misused as a cheap tag for music, not deep at all. clifford really takes you on a journey towards your inner core. garnered in warm, low slung and minimalistically dubby beats, and sparse yet lofty snyths, his deepology ep needs no prayers for deepness. it simply is the mantra of depth. lost in the groove, based in the stealth of bass, coloured in shades of electronic yet organically warm tones.

following our last va release label heads dudley strangeways & michael mclardy return with a full 4 track ep. spanning from the dubby realms of spycatcher through to the club ready tumult this record encapsulates the current sound of leftback records whilst providing a cross section of tracks to suit various time slots.

the label run by pau roca and gon backs to disco-house! the a side features the duo michael & jackson. formed by jaime fiorito (son of the legendary dj alfredo and old crew member of phonica records) and thompson, they have pulled off a truly club bomb based on disco grooves and samples. the b side features thompson (this time solo) with soul bomb # 01, in which the red bull music academy 2010 alumni backs to unleash his passion for funk, disco and afro-latin elements into a bright track dominated by a dreamy piano. it includes two remixes by the boss of the label pau roca and the dutch edit-maker star jam master.

mit seiner drawing ep zaubert der berliner second state audio-neuzugang michael klein drei herausragende tracks aus dem Ärmel. drawing, eine reise in sphären zwischen satten bässen und kosmischem durcheinander, eröffnet titelgebend die ep. mit illusive space in höchstgeschwindigkeit, angetrieben von mächtigen drums, geht die schier endlose reise weiter. auf der zielgeraden holt sich michael verstärkung durch die talentierte musikerin und sängerin genevieve marentette und bringt mit pattern movement eine gigantische mühle von pulsierenden stößen in bewegung.

michael l penman s lazy boy opens up proceedings on a dark and hypnotic tip with dreamy pad lines, modulating bass tones and weighty distorted rhythms. belgium s igor vicente reworks lazy boy next and provides a more reduced take on things with sparse percussive elements and menacing atmospheres. on the flip side scott kemp turns in sirma , a subtly unfolding groove-led number built around stripped rhythms and soft synth flourishes, while sascha dive rounds off the package by reshaping sirma into a brooding, seven-minute mesmeric workout.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

its the long-awaited return of a classic combo - michael mayer and reinhard voigt join forces for time is running

finale select series is back to bring you one more from one of chicago s finest producer boo williams and finale sessions boss michael zucker and we start with boo williams song - reckless thought - with its magical keys and it thick pads it has chicage written all over it for sure and then last but not least we have michael zucker with his track good times- it has a jazz feel to it with it moving drums and its wicked bassline. this ep will sure to please the deep at heart.

rnt is turning 10 releases old with this special and varied ep from michael the lion. known recently for his work on soul clap records, michael flexes his edit skills on this one, flipping some funk on the a-side with any time, and serving up classic italo cheek with the don.the b-side erupts with the disco-house-bringer-downer get more and finishes smooth with a fresh take on a wellworn sample with 909s and herb, a coproduction with sammy bananas, of fool s gold record fame. this milestone record is a choice celebration of the quality that the rnt label has come to personify.

the roger ep consists in 2 tracks, delivered by the production team-up vlad radu, martin glowacz and nils weimann, with an additional remix by michael melchner. all three tracks are different in terms of structure and harmonic elements, everything being combined in such a way that music can be enjoyed at home or on the dancefloor

wiederveroeffentlichung des 1981er albumklassikers mit den roots radics im channel one aufgenommen und mix von scientist in king tubbys studio. die musiker bass: flabba holt, drums: style scott, carlton santa davis, percussion: noel scully simms, christopher sky juice blake, rhythm guitar: bingy bunny, noel sowell bailey, lead guitar: alan bassford, bo pee bowen, keyboards: gladdie anderson, winston wright, horns: dean frazer, nambo robinson. für alle dubheads die info: das gunman album ist die basis von scientist rids the world of the evil curse of the vampires.

following the huge success of dlm 004 and the massive appeal of roman flugels remix of idle eyes (as charted by all from dixon to michael mayer, dan avery to maceo plex), here is a little surprise from our camp. glockd is c.a.rs trademark washed out sarcasm, bleached cynicism, the track forages paths through chloes dark mind. it was one of the first tracks she wrote on her own, and was recorded down the bunker with timothy j fairplay. a favourite of andrew weatherall (who nominated my friend, the c.a.r album, as one of the best releases of 2014), it is now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by the asphodells … if you liked our lord sabres remix of fuck buttons this is for you. electronics looking at the floor & air guitar. following it is manfredas (the protégé of les disques de la mort) vocal version of angelina, a request from many after the instrumental being released earlier this year. the northern wulf is biting again. and he bites hard.

evan michael debütiert mit schwebendem, spannungsgeladenem deep house im mid-tempo-bereich. eines tages bekamen wir wieder eine email mit einigen demo-tracks, wie es fast jeden tag passiert. aber dieses mal waren wir wirklich beeindruckt und entschlossen uns, sie zu veröffentlichen. und hier ist es, das dpc-debüt dieses talentierten mannes aus brooklyn, welches uns einen einblick in sein reiches und weites spektrum seiner erstaunlichen arbeit beschert.

robert crash s ifm partner marcello napoletano returns to his michael ferragosto alias who has seen prior releases on steve pointdexter s muzique records with a new five track ep. as with all of the other dog in the night releases, this 12 is food for the working dj. true to form beating chicago jack tracks, twisted acid cut ups, and slam dancing warehouse grooves that will get the pit started at your next jam. now get ready to dive in and slamjack!

on the 4th single from his highly acclaimed 4th lp after forever, kasper bjørke puts his disco noir anthem apart into the safe hands of two luminary remixing talents.

plastic love welcomes fellow angeleno michael walsh on board for the 2nd release on their budding label. walsh s debut ep showcases the producer s breadth and depth of all things rave with two distinct tracks aimed squarely at the dancefloor. before when it was new s unmistakeable melody act as a call to the dancefloor while a rumbling bassline underneath keeps you locked into a groove. strobe lights arpeggiated bassline and snappy disco drums showcase how versatile walsh can be. remixes come courtesy of label co-boss maheras as well as caravan boss and aus music stalwart dj october

labelowner dorian paic is teaming up with his good friend felipe valenzuela from chile. since more than a year they are producing and collecting tracks for their ep and came up with these two minimalistic house grooves. the title track of the ep -almost there- get s a nice rework by michael melchner.

12 inch vinyl only! support from dubfire, citizen, lo shea, kashawar, jordan peak, cinthie, matt star, matthew styles, arapu, jun akimoto, tomoki tamura, zoo look, blackhall & bookless & more.

12inch incl. mp3 download voucher (sticker on the front). multi culti imagineer dreems reworked by michael mayer and valentin stip. track no 3 rainy day is vinyl exclusive - and not on the digital release!

tracking down el frijolero (nee michael brown) for an interview to mark the release of this record proved harder than initially anticipated. despite enjoying world-wide success throughout the late 90’s and early 2000s - as well as a whole slew of critically acclaimed releases – the us born producer has faded into relative obscurity after joining a religious cult in the secluded countryside of north rhine-westphalia, germany. his last confirmed sighting was from a friend six years ago, who told us that brown had left the cult after filing for insolvency. these previously unreleased remixes were found in a box of possessions in a friend’s basement. they encapsulate the unrivaled talent and technical mastery of a man whose musical career and financial euphoria came to an abrupt end. 200 copies - hand stamped

new music from michael jackson on 180 gram vinyl with download code included.

if you re going to launch a label, it s always wise to start with a bang. that s exactly what newcomers audio visual have done here, recruiting detroit veteran terrence dixon and chez damier cohort michael zucker (boss of finale recordings, no less) for a four-track trip into deep techno and intergalactic house. dixon goes deep into the groove on the hissing, intoxicating deep techno roller -mta-, before delivering a touch more melody on the retro-futurist gem -over the top-. zucker, on the other hand, opts for a jaydee-does-deep house feel to -foundation (part 1)-, before setting off towards the heavens with the deliciously deep, smooth reflections

kiwanuka, a 25 year-old uk native of ugandan heritage, was raised in north london where he split his time between session work and local gigs. along the way, having found footing as a solo artist, he was signed to communion records, then polydor, and has since performed throughout europe and north america too touring in direct support of adele. he made his way through nashville this past summer with just enough pause and aplomb to commit these morsels to tape. the a-side *you ve got nothing to lose* is an original composition, featuring the buzzards dominic davis on upright bass and cory younts on piano, joined also by fellow balladeer lillie mae rische on fiddle. their contributions transform his work into a stone-cold groove with almost orchestral underpinnings, making it a fitting extension of their previous blue series. the single also features a chilling rendition of townes van zandts infamous *waitin round to die* on the b-side, the perfect compliment to the timbre and mood of the a-side.

michael jansons and rebel reveal their mechanical hearts with their built by robots ep, which has its sights aimed firmly at the future. jansons has already made his mark on lower east with two already cult slices of modern day house, the anthemic i know youre feeling ok and the more recent club hit addiction

paragram is now on to its fourth installment, and gladly welcomes a new member to its family, michael melchner. after several releases on respected labels such as love letters from oslo, moon harbour, cargo edition and eklo, the talented berlin producer now announces his 12inch debut on paragram. the ep, composed by three tracks, each one complementing the others, is a combination of futuristic beats, deep hypnotic basslines and slick glitchy percussions moving in and out of the arrangement.

discrete formants ii zooms the audience deep into underwater landscapes, from bizarre and seemingly endless open space down to the finest organized microcosms. five tracks full of analogue warmth and idiosyncratic modular synthesizer interaction that are driven by semantic coupling between major phases and small details. as most dscrt acoustic patterns are growing characteristic complexity by situational combination and permutation of interacting sound sets, the 300 copies of this release are double-stamped, hand numbered and pressed in blue marbled vinyl, returning each piece of them to the product of a unique moment in space and time.

michael & mattis are based between new york and oslo. maybe thats why their music has such a unique feel. blending the oddness of norwegian labels as sex tags mania and the ongoing musical heritage of nyc in hip-hop, disco and house, they produce twisted house jams that manage to remain raw and catchy at the same time. bold grooves and smooth vibes produ- ced with tape warmth and a singular pop appeal.

mangue welcomes michael nielebock (treibstoff, deep circus) from berlin. remixes were done by fabian schumann & black vel and mister mos ferry: niklas dapayk worgt.

this is the 13th label d!fus release, just after the terence parkers finally ep pressed on wax too. eedio was the first french artist signed on legendary bpitch control label during 2000s. many releases after that and a remix for agoria (kofea (eedio speaking remix) alongside the sky is clear (michael mayer remix)), eedio was on d!fus early hours with his elation (to feel) ep / d!fu 002 in 2007.
now it is time to maturity with a new ep called 43, including two very well known remixers, announcing a new lp to come in december.

silence in metropolis aims to act as a hub for new artists breaking through, artists who mine a forward thinking vein of deep house, techno and the many shades in between. for their 4th release they turn to uk talent michael mclardy for two original tracks and two remixes, one from p lopez and one from evren ulusoy.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

with the track *time machine*, dj and producer michael nielebock provided us with a fantastic debut on our deep circus label. his first success came for the berlin resident with the track pure visionson the treibstoff label, which entered the charts and the record cases of many international djs. his productions all are characterized by a driving groove, mixed with spherical elements, strings and synth-sounds. with *time machine* he also managed to bring this mixture to perfection in cooperation with his studio buddy leevey, thus creating a track which will make the day and caress the ears of many outdoor dancers this summer.
the second track on the ep is a wonderful remix by burak sar aka sis, who recently released his second album *confidance* on his label cocolino. the sis remix stays close to the original track, but reduces the spherical sounds and puts a greater focus on the basses, resulting in a great piece with a lot of deepness. nice!

for the fifth release on roots for bloom, michael james delivers 3 bumping cuts of very much dance floor orientated music. the opener infinite state gets you moving straight from the off with some edgy stabs and serious groove. high roller carries on where the a1 lets off upping the tempo but maintaining the direction. the b side freeze is a more techno influenced track, but still hold that underlying groove.

slammin techno 4 tracker

after this sublime achievement of voigtmann on our last ep, this time our dear friend michael melchner is introducing his vision on our viennese imprint.

mcde proudly presents the debut works of 22 year old canadian, michael gracioppo. featuring a remix from fred p(mule / underground quality) very limited edition. the labels first 10-inch is headed by my so-called friends the montrealers deeply personal ode to an over-indulgent past lover.

kompakts inner circle is closing the mantasy remix series. terrannova, juergen paape, j.burger & m.aguayo

massive new single with mixes from maxxi soundsystem & sleight of hands.

after releasing his highly praised sophomore full-length mantasy (komcd100/kom250) last year, kompakt honcho michael mayer signed on some of his favorite artists to rework the album material to their liking. the second entry in a series of three, mantasy remixe 2 features grandiose remixes from accomplished producers agoria, robag wruhme and will saul & october markedly picking up on the originals thirst for adventure. seminal frenchman agoria certainly doesnt need an introduction to any self-respecting fan of electronic dance music, as the long list of worldwide floor biggies released by this unique producer indisputably proves.

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

marcello napoletano presents michael ferragosto & “synthdrome at the disco” a sick banging four track ep starting with “amore jackin per 77&#8243,,,,,, & followed by “risque intentions . on the flip, “v2021&#8243,,,,,, and the title track continue with the raw chicago influenced warehouse vibe, old drum machines & synths.

with dangerous released in november 1991, michael jacksons career really sustained its high. the album entered the billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. the riaa certified dangerous 7x platinum for shipping 7 million copies in the united states.
remastered audio on 180 gram audiophile vinyl.

another artist from berlin, who cares? we do! simply because this talent need some more exposure and not because of this hometown. his sound differs from the so called berlin sound, fresh and kicking classic techno with two amazing originals called aweheh and that s it . exactly! and as we love talents we invited to have french uprising technoyoungsters m.a.d.a. & plankton on board to deliver a slightly darker approach on aweheh to make it fit also on the dark chambers of berlin techno clubs.